Last season, Karl Lagerfeld conceived a bleached underwater mise-en-scène for his Chanel ready-to-wear show. On Tuesday, gigantic stalactites appeared to have broken through the ground of the Grand Palais. It’s as if he’s taking us through his decadent interpretation of the Planet Earth documentary series.
This was a stellar collection for the duo who reigned in any tendency toward excess, instead applying details in unexpected places. Check out the smocking on these shoulders and how it subsequently produces a new sleeve silhouette.'
A pure and simple red dress benefits from oversized scalloped neck and hemlines.
In the hands of Chiuri and Piccioli, Italian sensuality has been fully fused with French savoir-faire.
Voilà, patchwork as applied to an evening dress. It’s a clever conceit, as quaint as it is exquisite.
This isn’t your grandmother’s needlepoint. There is a certain sportiness to the way this gown is shaped around the shoulders and yet the effect of the appliqué feels deeply romantic.
Paco Rabanne, a line that seized on late 1960s and 70s nightlife, has been brought back to life by Manish Arora. His maximalist message of last season – his first – eased into a rock steady mix of relaxed knits and swishy metal.
This sweater-style dress proves there’s no limit to what can be done with chainmail.
And if you’re wondering who will be wearing these pieces, look no further than front-row fashion plate, Daphne Guinness.
On the penultimate night of Paris Fashion Week, the fashion world was left breathless over the beauty of Sarah Burton’s collection for Alexander McQueen. The show began with coatdresses that boasted the fragile sculpting of biscuit porcelain and sumptuous Mongolian fur. Oh, and high-gloss visors.
The visors and bleached, slicked hair remained a constant throughout the show. Ditto the brushed metal bow belts. But dresses proceeded through a fondant pink grouping into this high-contrast doily effect.
Katy Perry and her blue hair were invited along for the ride.
Burton gradually introduced more and more volume, through fur pompoms or feathers. By this point, the creations started to resemble wondrous sea anemones.
Crystals and embellished bits emerged from the shoulders of sporty jackets. Even the models’ eyebrows appeared to be frosted in jewelled icicles.
Reflective magenta and violet prism panels overshadowed the beautiful construction of this coat. At the very least, why not make them double as smartphone chargers.
Styling note: Skinny, cuffed pants appeared under skirts, tunics and coats. But proceed with caution. Vivid colours, puzzling composition.
Who runs the world? Girls!
At three-years-old, Hudson Kroenig is practically a model veteran, having already joined dad Brad for a loop around the playground, er, catwalk last year. If Hudson is like other toddlers, he snacks on Cheerios and can’t even count. Yet he’s wearing a mini version of Chanel’s new quilted Boy bag.'
Two words: Purple swag
According to the program notes for the Valentino show, designers Maria Grazia Chiuri and Pierpaolo Piccioli “indulge in tactile artisan craftsmanship while they reduce a line to its pure architectural essence.” Judging by this outfit, I’d say that’s pretty accurate.
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